- No No!
[Breathing heavily]
[Gunfire continues]
The man's Inhuman.
The homeless man's Inhuman.
They're after him!
No! No!
Aah!
[music]
[Both grunting]
I was hoping you could help.
[Grunts, panting]
Hey.
- Hey, hey.
You all right?
- Hey, Daisy, talk to me, please.
- We need medical!
- I know.
I'm sorry.
We lost one.
- No.
No, no, no.
- What's wrong? What is it?
[Panting]
[music]
It hasn't happened yet.
[music]
[Wine pours]
[music]
He is risen!
What an improvement.
Last time I saw you,
you looked like an extra from
[Chuckling] "Dawn of the Dead.
"
And now now you're
a man who can inspire.
To what do we owe
this miraculous turnaround?
To your patience.
[Soft piano music playing]
A thank-you is overdue
for bringing me back.
Well, I didn't exactly
move Heaven and Earth, uh,
but I did move a lot of earth
money, manpower
- anything to make it happen.
- I'd like to know why.
[Glass thumps lightly]
Why?
- Meaning, to what end?
- Why? I, uh
My family, my ancestors
were taught to believe
that if we managed to return you
from that godforsaken place
that we would be rewarded.
With what?
Together, we are supposed
to take over the world.
And what does that look like to you?
[music]
You have $9.
2 billion.
The influence that comes with
any object of your desire can be yours.
That's not enough?
What can I give you
- that you couldn't have before?
- Look, I've dedicated my life,
- surrendered my life to a higher power.
- That's the word
power.
And that's what you seek
not wealth or control or clout
no, true power.
How does that sound?
Intriguing.
It's time to go above ground
and finally show you what
true power really feels like.
[music]
Simmons: You're sure it was the future?
- My whole face was covered in
- Uh-huh.
And Coulson shoots you?
Yep.
Coulson: Then I'll just ask the question
that someone should
ask at some point
- is this even possible?
- Technically,
- it's-fourth-dimensional perspective.
- Well, Hermann Minkowski would say yes, for one.
- That guy Edwin predicted everything that happened.
- Lincoln: We had a similar experience with Raina, remember?
That's a dumb question.
Okay, got it.
So, we all agree it's possible.
Now what?
- I can change it.
- No.
We can reverse-engineer the visions,
figure out where this went
down, and get there ahead of it.
- Save that poor man.
- You can't.
I mean, fourth-dimensionally
speaking, is all.
If you saw the future, then
that's the future.
I don't want to believe that.
I can't explain how it felt,
but it was awful.
[music]
I felt so helpless.
I was inches away from him.
I have to save him.
Lincoln: Edwin called in
with your name for a reason.
Maybe you're meant to change it.
And we know what this homeless
man, Charles, looks like.
And we're running a search.
If Daisy can remember
details about the location
- and we get there in time, we
- Guys, there is no time.
Fitz: She glimpsed the fourth dimension.
Time is an illusion.
It's how we perceive
the fourth dimension.
- Simmons.
- It's mathematics.
- He's talking about space-time.
- How do you How can I explain this?
Right.
We're 3-D, yeah?
Okay, but imagine
imagine we lived in a
2-dimensional existence
flat, just like a piece of paper.
We wouldn't be able to
conceive of three dimensions,
of of of a a cube
or anything that's
- not 2-dimensional, okay?
- Yeah.
Right, so, we flat paper people
would perceive this 3-dimensional cube
as many separate 2-dimensional moments.
As time passing
the point on the line traveling
through space and time.
- But, in fact, the cube, the line is fixed.
- Yeah, it's just sitting there.
There's no future.
There's no past.
It just It just is.
And nothing you can do will
change that.
[Marker thumps]
You're hurting my brain.
Coulson: Look, I don't know
if Fitz is right or if I even
understand what he's saying,
really, but Hydra has this guy.
And we got to try to stop them.
- I think I might have a strategy.
- We're all ears.
All we have to do to guarantee
that we change the outcome
is not let Daisy out of the base.
What?
No.
I have to go help him.
The one thing we know for certain
is that Daisy was
at the center of these visions,
whereas May doesn't
appear in any of them.
Look, I get the logic, but
I can handle this myself.
I'm sorry.
May goes instead.
Coulson
I was meant to save him.
If you want to try
to stop this man from dying,
then this is how we're doing it.
Understood?
[music]
Lincoln and I will chase down any
intel we can on the homeless man.
Daisy, remember every detail
you can about where this happens,
and then we'll send May.
No one else goes.
I won't pick up a gun
until this is finished.
And Fitz-Simmons will stay
out of the damn snow.
[music]
Are we clear?
[Computer beeping]
Got to admit
this time stuff's always
been a little over my head.
Like in "Terminator,"
if John Connor's alive
and able to send his friend
back in time to save his mom
to make sure he's born, doesn't
that mean he doesn't have to?
I, uh, I never saw
the original "Terminator.
"
You're off the team.
[Chuckles]
What's What's tripping me out
is that we only knew
to try to save the guy
because he heard Daisy's name
when we went to try to save the guy.
I know, right?
But that's what makes me
think it happened for a reason.
- It's design.
- Sure.
We're all part of some grand plan.
Only problem is,
we never know what the plan is.
No, I-I mean,
Inhumans were designed.
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