黑天鹅 Black Swan (2010)【完整台词】
黑天鹅 Black Swan (2010) 全部台词 (当前第1页,一共 6 页)
(SWAN LAKE PLAYING)
(WOMAN LAUGHS)
(RAGGED BREATHING)
(CAWS)
(WHIMPERS)
(TOE SHOES CLACKING)
(DOOR OPENS)
(FOOTSTEPS DEPARTING)
(SIGHS)
(BONES CRACKING)
NINA: I had the craziest dream last night.
I was dancing the White Swan.
It was different choreography, though.
It was more like the Bolshoi's.
It was the prologue,
when Rothbart casts his spell.
(CUTLERY RATTLING)
(GASPS) Look how pink! So pretty.
- BOTH: Pretty!
- (BOTH CHUCKLE)
- You're in a good mood.
- Mmm-hmm.
He promised to
feature me more this season.
Well, he certainly should.
You've been there long enough.
And you're the most dedicated dancer
in the company.
Up.
What's that?
- NINA: What?
- There.
Nothing.
Sure you don't want me to come with you?
You sweet girl.
MAN: (OVER PA)
This is a Downtown 1 train to South Ferry.
Next stop, 72nd Street.
Stand clear of the closing doors, please.
VERONICA: Did you see Beth today?
I can't believe she's back.
MADELINE: Of course she's back.
What, she can't take a hint?
Company is broke.
No one comes to see her anymore.
Nobody actually comes to see ballet,
full stop.
That's not true. I heard The Royal
had one of their best seasons yet.
He just needs to try something new,
that's all.
No, someone new.
VERONICA: (CHUCKLES) Like who?
Like someone
who's not approaching menopause.
It's sad.
What's sad?
Beth's such a beautiful dancer.
Yeah, so is my grandmother.
(DANCERS GIGGLE)
Well, Fonteyn danced into her 50s.
Yeah, we know.
Soloists?
Great! (CHUCKLES)
I fucking missed my stop.
Had to hoof it all the way from 79th.
VERONICA: (WHISPERING) Who's that?
GALINA: (WHISPERING)
It's that new girl from San Francisco.
Okay.
(PIANO MUSIC PLAYING)
BALLET MISTRESS:
And up, two, three, four.
Good, one...
Two, three, four, up...
Beautiful as always, Nina.
Relax.
And one, and two,
and three, and four, and...
Stop, John. One second.
(PIANO STOPS)
Okay, take position.
(PIANO RESUMES)
And one, and two, and three, and up.
One, and two, and three, and four...
- How are you, dear?
- Good, thanks.
We all know the story.
Virginal girl, pure and sweet,
trapped in the body of a swan.
She desires freedom,
but only true love can break the spell.
Her wish is nearly granted
in the form of a prince.
But before he can declare his love,
her lustful twin,
the Black Swan, tricks and seduces him.
Devastated,
the White Swan leaps off a cliff,
killing herself, and in death
finds freedom.
(PIANO STOPS)
- Good morning, company.
- ALL: Good morning.
We open our season with Swan Lake.
Done to death, I know.
But not like this.
We strip it down, make it visceral
and real.
A new production needs
a new Swan Queen.
A fresh face to present to the world.
But,
which of you can embody both swans?
The white and the black.
All the soloists I tapped, go to your
scheduled rehearsals this afternoon.
And the girls I didn't tap,
meet me in the principals' studio at 5:00.
Thank you.
BALLET MISTRESS:
All right, let's go. Did we do left side?
DANCER: Yes, mistress.
BALLET MISTRESS
: Let's repeat one more time.
(PIANO RESUMES PLAYING)
(HUMMING)
(BOTTLE CLINKS)
(WOMAN GRUNTS)
(WOMAN SCREAMS)
(GLASS SHATTERS)
Fuck! Fuck!
What?
(PIANO PLAYING SLOW CLASSICAL MUSIC)
(PIANO STOPS)
if I was only casting the White Swan,
she'd be yours.
But I'm not.
Maestro, Odile's coda, please.
Now show me your Black Swan, Nina.
(CLEARS THROAT)
(PIANO PLAYING
UP-TEMPO CLASSICAL MUSIC)
No, not so controlled.
Seduce us.
Not just the Prince, but the court,
the audience, the entire world. Come on!
Your fouett?es are like
a spider spinning a web.
Attack it! Attack it!
Come on!
(DOOR BANGING)
(GASPS)
(DOOR BANGS LOUDLY)
THOMAS: Well, good of you to join us.
Sorry.
THOMAS: Girls, this is Lily.
Straight off the plane from San Francisco.
- She's filling Rebecca's old spot.
- LILY: Hey.
- Get warmed up.
- LILY: No, it's okay.
I'm good.
Should I go again?
No, thanks, Nina. I've seen enough.
Veronica, the White Swan variation.
Come on, come on, please.
All right, maestro. Two, three...
(RETCHING)
(TOILET FLUSHES)
(CELL PHONE RINGING)
(CELL PHONE RINGING)
ERICA: So, how'd it go?
You were late,
so I called Susie in the office.
An audition. I can't believe
he just sprang that on you.
So?
It was fine.
Just fine?
- (SOBBING)
- Oh, sweetheart.
You tell me about it.
I know, Susie,
but he just can't expect these girls
to come back from break
and dance like Beth Macintyre.
It's completely unrealistic.
And they can do the work,
but they don't have Beth's magic...
Well, she's miserable...
(EXCLAIMS IN PAIN)
Ah!
ERICA: Nina, everything all right?
I'm fine.
(GASPS)
Oh!
- (GASPS)
- Oh! Shh!
Almost done.
You're working yourself too hard.
We all have off days.
If that girl hadn't barged in...
I'm sure she didn't mean to.
Remember when you first started?
If I hadn't taken you to each of your classes,
you would have been completely lost.
I'm going to talk to him tomorrow.
I'm going to tell him I finished it.
You don't need to lie.
It won't convince him one way or the other.
Oh, sweetheart.
I know it's disappointing.
And when you start getting older,
there's all this ridiculous pressure.
God knows I understand.
But it's all right.
(WOMAN LAUGHS)
(RAGGED BREATHING)
(CAWS)
(WHIMPERS)
(TOE SHOES CLACKING)
(DOOR OPENS)
(FOOTSTEPS DEPARTING)
(SIGHS)
(BONES CRACKING)
NINA: I had the craziest dream last night.
I was dancing the White Swan.
It was different choreography, though.
It was more like the Bolshoi's.
It was the prologue,
when Rothbart casts his spell.
(CUTLERY RATTLING)
(GASPS) Look how pink! So pretty.
- BOTH: Pretty!
- (BOTH CHUCKLE)
- You're in a good mood.
- Mmm-hmm.
He promised to
feature me more this season.
Well, he certainly should.
You've been there long enough.
And you're the most dedicated dancer
in the company.
Up.
What's that?
- NINA: What?
- There.
Nothing.
Sure you don't want me to come with you?
You sweet girl.
MAN: (OVER PA)
This is a Downtown 1 train to South Ferry.
Next stop, 72nd Street.
Stand clear of the closing doors, please.
VERONICA: Did you see Beth today?
I can't believe she's back.
MADELINE: Of course she's back.
What, she can't take a hint?
Company is broke.
No one comes to see her anymore.
Nobody actually comes to see ballet,
full stop.
That's not true. I heard The Royal
had one of their best seasons yet.
He just needs to try something new,
that's all.
No, someone new.
VERONICA: (CHUCKLES) Like who?
Like someone
who's not approaching menopause.
It's sad.
What's sad?
Beth's such a beautiful dancer.
Yeah, so is my grandmother.
(DANCERS GIGGLE)
Well, Fonteyn danced into her 50s.
Yeah, we know.
Soloists?
Great! (CHUCKLES)
I fucking missed my stop.
Had to hoof it all the way from 79th.
VERONICA: (WHISPERING) Who's that?
GALINA: (WHISPERING)
It's that new girl from San Francisco.
Okay.
(PIANO MUSIC PLAYING)
BALLET MISTRESS:
And up, two, three, four.
Good, one...
Two, three, four, up...
Beautiful as always, Nina.
Relax.
And one, and two,
and three, and four, and...
Stop, John. One second.
(PIANO STOPS)
Okay, take position.
(PIANO RESUMES)
And one, and two, and three, and up.
One, and two, and three, and four...
- How are you, dear?
- Good, thanks.
We all know the story.
Virginal girl, pure and sweet,
trapped in the body of a swan.
She desires freedom,
but only true love can break the spell.
Her wish is nearly granted
in the form of a prince.
But before he can declare his love,
her lustful twin,
the Black Swan, tricks and seduces him.
Devastated,
the White Swan leaps off a cliff,
killing herself, and in death
finds freedom.
(PIANO STOPS)
- Good morning, company.
- ALL: Good morning.
We open our season with Swan Lake.
Done to death, I know.
But not like this.
We strip it down, make it visceral
and real.
A new production needs
a new Swan Queen.
A fresh face to present to the world.
But,
which of you can embody both swans?
The white and the black.
All the soloists I tapped, go to your
scheduled rehearsals this afternoon.
And the girls I didn't tap,
meet me in the principals' studio at 5:00.
Thank you.
BALLET MISTRESS:
All right, let's go. Did we do left side?
DANCER: Yes, mistress.
BALLET MISTRESS
: Let's repeat one more time.
(PIANO RESUMES PLAYING)
(HUMMING)
(BOTTLE CLINKS)
(WOMAN GRUNTS)
(WOMAN SCREAMS)
(GLASS SHATTERS)
Fuck! Fuck!
What?
(PIANO PLAYING SLOW CLASSICAL MUSIC)
(PIANO STOPS)
if I was only casting the White Swan,
she'd be yours.
But I'm not.
Maestro, Odile's coda, please.
Now show me your Black Swan, Nina.
(CLEARS THROAT)
(PIANO PLAYING
UP-TEMPO CLASSICAL MUSIC)
No, not so controlled.
Seduce us.
Not just the Prince, but the court,
the audience, the entire world. Come on!
Your fouett?es are like
a spider spinning a web.
Attack it! Attack it!
Come on!
(DOOR BANGING)
(GASPS)
(DOOR BANGS LOUDLY)
THOMAS: Well, good of you to join us.
Sorry.
THOMAS: Girls, this is Lily.
Straight off the plane from San Francisco.
- She's filling Rebecca's old spot.
- LILY: Hey.
- Get warmed up.
- LILY: No, it's okay.
I'm good.
Should I go again?
No, thanks, Nina. I've seen enough.
Veronica, the White Swan variation.
Come on, come on, please.
All right, maestro. Two, three...
(RETCHING)
(TOILET FLUSHES)
(CELL PHONE RINGING)
(CELL PHONE RINGING)
ERICA: So, how'd it go?
You were late,
so I called Susie in the office.
An audition. I can't believe
he just sprang that on you.
So?
It was fine.
Just fine?
- (SOBBING)
- Oh, sweetheart.
You tell me about it.
I know, Susie,
but he just can't expect these girls
to come back from break
and dance like Beth Macintyre.
It's completely unrealistic.
And they can do the work,
but they don't have Beth's magic...
Well, she's miserable...
(EXCLAIMS IN PAIN)
Ah!
ERICA: Nina, everything all right?
I'm fine.
(GASPS)
Oh!
- (GASPS)
- Oh! Shh!
Almost done.
You're working yourself too hard.
We all have off days.
If that girl hadn't barged in...
I'm sure she didn't mean to.
Remember when you first started?
If I hadn't taken you to each of your classes,
you would have been completely lost.
I'm going to talk to him tomorrow.
I'm going to tell him I finished it.
You don't need to lie.
It won't convince him one way or the other.
Oh, sweetheart.
I know it's disappointing.
And when you start getting older,
there's all this ridiculous pressure.
God knows I understand.
But it's all right.
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