At the end of Cromwell's time,
in and around the year of our Lord, 1660...
two things miraculous came about
which, as l shall relate...
gave us great hope for the future
ofthis island, this England
The first, the Restoration of Charles Stuart
to his throne of England...
after many long years of exile in Holland -
miraculous for his father, King Charles,
was executed by Cromwell...
only 11 years earlier
And the second, the birth of Henry Purcell,
organist, composer...
his father and his uncle both ofthe Chapel
Royal in the great Abbey at Westminster
From heaven he came
Their lives were drawn together
as if by divine hand
And together they changed
our history for ever
Kind Heaven, make us Englishman again
Any who may show good reason...
why Charles Stuart shall not
be King of England...
let him come forth and speak
Dread Sovereign, I offer no flattering
titles, but speak words of truth
You are the desire ofthree kingdoms...
the strength and stay
of the tribes of the people
Really? Why then did it
take you so long to ask me back'?
Oddsfish, Mr Newton, what's this'?
A wrestling match'?
Mr Newton, why are you upon the floor'?
Well, we're sure never to see
his like again... in this world
'Tis said, we have a pretty, witty King,
whose word no man relies on
He never says a foolish thing,
and never does a wise one
To which His Majesty replied:
"That is very true,
for my words are my own...
my actions are those of my Ministers"
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Dire
Well, it's a creaky old play
I rather liked it. Howwould you know?
You've never seen it
No, but I've heard it, forweeks
I'm never dry there!
Oh, don't look so sad, sweetheart.
Any of us could have done it
Well, sorry, it ruined the whole scene
It doesn't matter, it didn't ruin anything
Go on, get dressed if you're coming
- I don't think I feel like eating
KFIQIQIIIIKI'.
fill, Ii
Oh, how's the mighty work'?
Stopped, ceased, dead
So, we're writing a play, are we'?
Well it can't be as bad as this one
May I remind you ladies and gentlemen,
the matinee starts tomorrow at five o'clock...
with orwithout an audience
And would the owner ofthe blue
Ford Cortina, BKH 1T...
not park outside the stage door
as this space is reserved...
for the manager ofthe Sloane Square
Underground station
Didn't take you long
- No, never does
Bill was in
- Shit!
Nelly, Nelly, where are you'?
Oh, Bill, he's in the shower,
he didn't know you were in
I didn't know you were in.
Did you know you were going to be'?
Did you notice me dry'? Sorry
Don't apologise to me Nelly Gwyn,
apologise to Charles
Ihfllli
- KIIIIIUIIII,III
When are we coming off'?
I have never seen anything as boring
as tonight. What's the matterwith you'?
Everybody knows it's coming off, Bill
Well I don't know it's coming off
and I'm the fucking producer!
And even if it is coming off,
who's to blame?
We're supposed to be doing a play
of our times here, the golden age
But does it look like it'?
Does it buggery!
It looks like some creaky old piece
by George Bernard Shaw
'Iljiili
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QIIIQD.
Ylllili, I'll!!!
I mean we can do anything
as long as it's not boring!
Hello Bill, didn't know you were in
EIIillTUIII-GIH
Illii
They opened up the theatres again
Science, poetry, Dryden, Milton,
actors and actresses...
Wren, St Paul's, music, Purcell
I mean Purcell...
Ah, Squire Dryden...
All eyes you draw
and with the eyes the heart...
of your own pomp the greatest part
Loud shouts the nation's
happiness proclaim...
and Heaven this day
is feasted with your name
His ashes in a peaceful urn shall rest...
his name a great example stands to show...
how strangely high endeavours
may be blessed...
where piety and valourjointly go
I hear tell they have dug up
Master Cromwell and his mother...
both looking as cheerful as any could
in that condition
The boy Purcell was took into
the Chapel Royal School in Westminster...
cleaning and repairing the organ
And sometimes, with his friend Pelham...
being less than helpful to his uncle Thomas,
the King's composer
Butch, the sights and sounds
and smells young Harry must have seen...
while learning his music
What'?
- Sir'?
Why?
- Sir'?
This'?
It's a piece
l1'
- II1:ll-".'
- \\
Ajllflilll-fllllljfl!
fill'?!
But what is it'? ls it... What is it'?
Blow, boy!
Well, it has a catch
It is not a catch!
No, it is not a catch
Do give it to the King.
He has such a plump bass
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...t'will surely catch with him,
and I shall say it which it is...
which is why, in face of brought over...
I say brought over Frenchmen...
Which you do Master Locke!
Smelling as thou dost of popish
superstition, thou brat of Rome
Not one bit of it anywise
other than what it is
Which it is English... English!
I want none of your Vingt Quatres here!
L, Captain Henry Cooke, say it as Master
ofthe Children ofthe Royal Chapel...
you, Harry Purcell, are destined...
do you but stay obedient and compliant
and do betterwith yourviol...
and your fingering
I hate the viol!
Its use is to strengthen a part,
to support the voices
A chest of viols is essential in church
when the people cannot sing in tune
I would always have my people
sing in tune... and rest the voices...
and then use my violins
Fiddles! Too brisk!
What can a fiddle say alongside
a generous heroic viol...
except it should not come among them'?
Fingering... Fingering, Harry!
Fret and finger, orwe shall banish
cornets with voices now we have 'em...
to the Glory of God and the King and to...
I shall say it... to Prosperity!
This is a music factory
But make people feel, Master Purcell
Give them lessons in feeling.
Let 'em think afterwards
Now in some countries this might
be thought a dangerous approach...
But not in England, not today, dear heart
What?
Little danger of people
feeling too much
Not in England, not today...
encircled as we are with
a Cromwellian army of prigs...
knighthood-seekers
and grubby timeservers...
fat delayers of the law
Blackheads...
who merely shrug their shoulders...
while their money meters tick merrily away...
whose wealth is a licence for calumny...
whose cupidity passes for concern
To fly from love's sickness
is both foolish and vain
For I am myself
my own fever and pain
What are you talking about'?
I gave it all to her,
Mother bloody Hubbard...
when I left her, you know
So many children,
she didn't know what to do
Inn-quantum:
4n.
I'm not in the mood, not anymore.
You brought up money!
Well, if you don't get on
and write the bloody play...
this poor Nelly will definitely starve
If only it were as easy as that
Do you know, last night I had the same
dream I've been having all these years
I'm about to make my entrance on a stage
Behind the flats, the other actors
are performing a play I know nothing about
A play about the short life
and tragic death of Henry Purcell...
Composer in Ordinary to the violins
of King Charles ll
I play the King
- Of course
My entrance is important, that I know
I'm peering through cracks in the scenery,
trying to find out what is going on
Eventually I decide I must
have missed my entrance...
so I grab a door handle and push
Everything rattles... and suddenly
I'm in a world were I can't see anything
Even though I knowthe spotlight is on me
I don't know my moves or my first line...
but I make enormous efforts to speak,
to say... something
I open my mouth and drive all the strength
I can find into my diaphragm...
but I make no sound
Ilflhifillflj-
IIICI
I can feel the light... but I cannot see
Dreams won't pay the bloody rent!
Sod you!
Sod you!
How much'?
Eleven pounds, two shillings
and tenpence
The total in the Exchequer, your Majesty
And the national debt...
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