A Team Nanban (594mgnav) Release
You wished
to speak to me, Doctor?
Have you seen Mrs. Vogler yet,
Sister Alma?
No, not yet.
Let me explain her situation
and why you've been
hired to care for her.
Mrs. Vogler is an actress,
as you know.
In the middle of her lest
performance of Electra,
she fell silent and looked
around as if in surprise.
She was silent
for over a minute.
She apologized
to her colleagues afterward,
saying she'd felt
a sudden urge to laugh.
The next day
the theater called
to ask if she'd forgotten
about rehearsal.
The maid went in her room
and found her still in bed.
She was awake but wouldn't
answer questions or move.
This condition's gone on
for three months now.
She's been given
every conceivable test.
The result is clear:
She's perfectly healthy,
both mentally and physically.
And it's not a question
of some hysterical reaction either.
Any questions,
Sister Alma?
If not, you can go
see Mrs. Vogler now.
Hello, Mrs. Vogler.
I'm Sister Alma.
I've been hired to take care
of you for a while.
Perhaps I should tell you
a bit about myself.
I'm 25 years old,
and I'm engaged.
I got my nursing certificate
two years ago.
My parents have
a farm in the country.
My mother was a nurse too,
before she got married.
I should go get your dinner tray -
fried liver and fruit salad.
It looked quite good.
Shall I raise this end up?
Are you all right like that?
Sister Alma,
what's your first impression?
I don't know
what to say, Doctor.
At first her face looks soft,
almost childish,
but then
you see her eyes...
Her expression's so hard.
Perhaps I shouldn't -
What were you going to say?
I was thinking I should
turn down the assignment.
Why? Did something
frighten you?
No, not exactly,
but perhaps Mrs. Vogler
should have an older nurse,
one with more life experience.
I might not be able to manage.
- Manage? In what way?
- Mentally.
- Mentally?
If she's made a conscious
decision not to speak or move,
which must be the case,
since she's healthy -
Then?
Then that shows
great mental strength.
I may not be up to it.
I thought you might want
to see the twilight.
I can draw
the curtains later.
Shall I turn on the radio?
I think there's a play on.
Forgive me, darling.
You must forgive me.
All I want
is your forgiveness.
What are you laughing about?
ls the actress so funny?
What do you know
of mercy? Well?
What do you know
of mercy?
I don't understand
those sorts of things.
I enjoy films
and the theater,
but I'm afraid
I don't go very often.
I have tremendous
admiration for artists.
I think art is enormously
important in life,
especially for those struggling
for one reason or another.
But I'm skating on thin ice,
telling you about such things.
Let's see
if I can find some music.
Is that all right?
Good night, then.
Sleep well.
Damn it.
It's funny.
You can go about
as you please...
doing almost anything
you please.
I'll marry Karl-Henrik
and we'll have a couple kids,
whom I'll raise.
It's all decided.
it's inside me.
I don't even have
to think about it.
It's a great feeling
of security.
I have a job
I like and enjoy.
That's good too...
but in another way.
But it's good.
Yes...
it's good.
I wonder what's really
wrong with her.
Elisabet Vogler.
Mrs. Vogler, would you like me
to open the letter?
Shall I read it?
Shall I read it to you?
“Dearest Elisabet,
since I'm not allowed
to see you, I'm writing instead.
If you don't wish to read
my letter, you can ignore it.
But I can't help trying
to contact you this way,
as I'm tormented
by a persistent question:
Have I done you harm
in some way?
Have I unknowingly
hurt you somehow?
Was there some terrible
misunderstanding between us?”
Should I really go on?
“As far as I know,
we've been happy recently.
Surely we've never been...
so close.
Do you remember saying,
'I'm only just beginning
to understand
what it means
to be married'?
'You've taught me...”'
I can't make it out.
“'You've taught...”'
Now I see.
“'You've taught me
that we must see each other
as two anxious children
full of goodwill
and the best of intentions
but gov-”'
Now I see.
“'...governed by forces
we can only partially control.'
Do you remember
saying all that?
We were walking
in the woods,
and you stopped and grabbed
the belt of my coat -”
There was a picture
with the letter.
A picture of your son.
I don't know if -
Do you want it,
Mrs. Vogler?
He looks awfully cute.
Elisabet, I don't think
there's any point
in your staying here
in the hospital.
It's just hurting you
to be here.
Since you don't want
to go home,
I suggest you
and Sister Alma move out
to my summer place
by the sea.
You think
I don't understand?
The hopeless dream
of being.
Not seeming to be,
but being.
Conscious and awake
at every moment.
At the same time, the chasm
between what you are to others
and what you are
to yourself.
The feeling of vertigo,
and the constant hunger
to be unmasked
once and for all.
To be seen through,
cut down...
perhaps even annihilated.
Every tone of voice a lie,
every gesture a falsehood,
every smile a grimace.
Commit suicide?
No, too nasty.
One doesn't do
things like that.
But you can refuse
to move or talk.
Then at least
you're not lying.
You can cut yourself off,
close yourself in.
Then you needn't
play any roles,
wear any masks,
make any false gestures.
So you might think...
but reality plays
nasty tricks on you.
Your hiding place
isn't watertight enough.
Life oozes in from all sides.
You're forced to react.
No one asks
whether it's genuine or not,
whether you're lying
or telling the truth.
Questions like that
only matter in the theater,
and hardly even there.
I understand you,
Elisabet.
I understand that you're
not speaking or moving,
that you've turned this apathy
into a fantastic setup.
I understand
and admire you.
I think you should play this part
until it's played out,
until it's no longer
interesting.
Then you can drop it,
just as you eventually drop
all your other roles.
Thus, at the end of the summer,
Mrs. Vogler and Sister Alma
move out to the doctor's
summer house.
The stay by the sea agrees
very well with the actress.
Her crippling apathy
at the hospital
gives way to long walks,
fishing excursions,
cooking, letter writing,
and other diversions.
Sister Alma enjoys
the seclusion of the countryside
and tends to her patient
with utmost care.
Don't you know it's bad luck
to compare hands?
Elisabet...
may I read you
something from my book?
Or am I disturbing you?
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舞台剧女演员伊丽莎白(丽芙·乌曼 Liv Ullmann 饰)在一次演出中忘了台词,之后长达数月她拒绝说话,被送进精神病医院。照顾她的护士阿尔玛(毕比·安德森 Bibi Andersson 饰)被医生责怪没有尽职,医院安排她带伊丽莎白在一所海滨别墅疗养治病。两人到达别墅后,伊丽莎白有所好转,但还是拒绝说话和给予回应。阿尔玛经常对她说话试图打破沉默,但仍旧得不到任何回应,最后不得不倾诉起她与未婚夫之间的情感问题。阿尔玛偷看了伊丽莎白写给医生的信,发现她在信里谈论自己,于是愤怒地叱责伊丽莎白。面对彻底沉默的伊丽莎白,阿尔玛在狂怒中几乎将她杀死。受惊的伊丽莎白惊恐地呼喊出“不!”,这让阿尔玛以为自己治好了她的病。可是伊丽莎白再次拒绝发出声音,她让阿尔玛成为自己的替身,与自己的丈夫做爱,照顾自己的孩子。阿尔玛在与伊丽莎白的过程中渐渐失去了自我的身份,悄然变成...
导演: 英格玛·伯格曼
编剧: 英格玛·伯格曼
主演: 毕比·安德松 / 丽芙·乌曼 / 玛格丽塔·克罗克 / 古纳尔·布约恩施特兰德 / 约根·林德斯特伦
类型: 剧情
制片国家/地区: 瑞典
语言: 瑞典语
上映日期: 1966-10-18
片长: 85分钟
又名: 性格 / 人物
假面 Persona(1966) 全部台词 (当前第1页,一共 4 页)
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